Description
![skin_illus_open_Insert_large](https://www.skinillustrator.com/wp-content/uploads/2015/10/skin_illus_open_Insert_large.jpg)
The Flesh Tone Palette contains colors that range from the palest of pink tones to the deepest rich yellow tones. The system contains skin tone colors with warming/cooling adjusters that are ideal for fine tuning a skin tone mix that’s a perfect match, or for creating a subtle bruising for close camera work. Rice Paper, the staple of the palette, can be used as a white color to lighten a particular mix, or on its own to match the skin. You can use Natural 1 and 2 as the basis for most Caucasian tones. These colors already lean to the yellow side of a natural tone so you can decide how much warmth or coolness to add. If you need to warm the Naturals, add a little Coral Adjuster or Rose Adjuster 2. If you need to cool the tone, add a little Olive Adjuster (liquids only) or Vein Tone to achieve a beige color. Lao 1 and 2 will be the basis for your yellow undertoned subjects. Start with these colors and you can lighten the tone with a Rice Paper mix. To make your color more beige, add Vein Tone. To make your color more olive, add Olive Adjuster 2, and if you want to add a touch of golden quality, use the Coral Adjuster. Cedar Brown is a warm yellow based brown that can add a tan to your actor or darken the 5 basic flesh tones, All of the color adjusters have been formulated to intermix with the flesh tones. Also available, Skin Illustrator On Set Flesh tone Palette.
![rice-paper-swatch](https://www.skinillustrator.com/wp-content/uploads/2020/03/rice-paper-swatch-111x300.jpg)
![natural-1-swatch](https://www.skinillustrator.com/wp-content/uploads/2020/03/natural-1-swatch-111x300.jpg)
![natural-2-swatch](https://www.skinillustrator.com/wp-content/uploads/2020/03/natural-2-swatch-111x300.jpg)
![lao-1-swatch](https://www.skinillustrator.com/wp-content/uploads/2020/03/lao-1-swatch-111x300.jpg)
![lao-2-swatch](https://www.skinillustrator.com/wp-content/uploads/2020/03/lao-2-swatch-111x300.jpg)
![cedar-brown-swatch](https://www.skinillustrator.com/wp-content/uploads/2020/06/cedar-brown-swatch-111x300.jpg)
![vein-tone-swatch](https://www.skinillustrator.com/wp-content/uploads/2015/10/vein-tone-swatch-111x300.jpg)
![coral-adjuster-swatch](https://www.skinillustrator.com/wp-content/uploads/2015/10/coral-adjuster-swatch-111x300.jpg)
![olive-adjuster-swatch](https://www.skinillustrator.com/wp-content/uploads/2015/10/olive-adjuster-swatch-111x300.jpg)
![rose-adjuster-swatch](https://www.skinillustrator.com/wp-content/uploads/2015/10/rose-adjuster-swatch-111x300.jpg)
![old_man_2_medium](https://www.skinillustrator.com/wp-content/uploads/2015/10/old_man_2_medium.jpg)
![young_old_man_medium](https://www.skinillustrator.com/wp-content/uploads/2015/10/young_old_man_medium.jpg)
![](https://www.skinillustrator.com/wp-content/uploads/2015/10/old_man_medium.jpg)
Stacy Keech Sr. in different make up applications of gelatin appliances and Skin Illustrator Flesh Tone Colors. Make-up by Kevin Haney.
You must use Skin Illustrator Activator or 99% alcohol to activate the color pigment. Do not use 70% alcohol, MEK, acetone, water or any other solvent.
Removal is easy with PPI’s Telesis Beta Solv, Telesis Super Solv or Telesis Makeup Remover.